"Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile" by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1996. Since Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Respighi: The Fountains of Rome; The Pines of Rome; Ancient Airs and Dances - Suite III / Boccherini: Quintettino / Albinoni: Adagio in G Minor". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 58 with a half-time of 29 テンポ and a double-time of 116 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 76 BPM | ||
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 71 BPM | ||
Mephisto Waltz No. 1, S. 110, No. 2 "The Dance in the Village Inn" (after Lenau) | Franz Liszt, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 54 BPM | ||
Symphony No. 4 in E-Flat Major, WAB 104, "Romantic": IV. Finale - Live | Anton Bruckner, Günter Wand | A♭ Minor | 1 | 1A | 77 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 6 | 5B | 70 BPM | ||
Bruckner: Symphony No. 9 in D Minor, WAB 109: II. Scherzo (Bewegt und lebhaft) | Anton Bruckner, Sir Simon Rattle, Berliner Philharmoniker | D Minor | 2 | 7A | 94 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 139 BPM |