"Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2001. Since Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "R. Strauss: Zarathustra; Till; Don Juan; Heldenleben; Tod & Verklärung". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina / Act 4: Intermezzo | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 51 BPM | ||
Symphony No.10 In E Minor, Op.93: 2. Allegro | Dmitri Shostakovich, Berliner Philharmoniker, Herbert von Karajan | B Minor | 6 | 10A | 89 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 63 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation IV (Etwas breiter) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Symphony No.9 In D Minor: 3. Adagio (Langsam, feierlich) | Anton Bruckner, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 77 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 139 BPM | ||
Symphony No. 8 in C Minor, Op. 65: II. Allegretto | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 129 BPM |