"The Planets, Op. 32: 1. Mars, the Bringer of War" by Gustav Holst, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1981. Since The Planets, Op. 32: 1. Mars, the Bringer of War is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Berliner Philharmoniker, Herbert von Karajan's "Holst: The Planets" album is number 1 out of 7. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Planets, Op. 32: 1. Mars, the Bringer of War's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: 1. Mars, the Bringer of War by Gustav Holst, Berliner Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 149 テンポ, a half-time of 74テンポ, and a double-time of 298 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
Symphony No.1 In C Minor, Op.68: 1. Un poco sostenuto - Allegro - Meno allegro | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 116 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM |