Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6

Claude Debussy, Berliner Philharmoniker, Claudio Abbado
Debussy: Prélude à l'aprés-midi d'un faune; Trois Nocturnes; Pelléas et Mélisande Suite
7:30 2001年1月1日
テンポ
74
キー
D♭ Major
キャメロットミュージックキー
3B

リンクを埋め込む

共有

Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 - Claude Debussy, Berliner Philharmoniker, Claudio Abbado 情報

音響性
96%
ダンサビリティ
7%
エネルギー
6%
手段性
88%
活気
10%
ラウドネス
65%
話し言葉
5%
価数
3%
人気
ラウドネス
-20.955 dB

まとめ

"Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6" by Claude Debussy, Berliner Philharmoniker, Claudio Abbado was released on January 1, 2001. Since Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Debussy: Prélude à l'aprés-midi d'un faune; Trois Nocturnes; Pelléas et Mélisande Suite by Claude Debussy, Berliner Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 テンポ

The tempo marking of Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 by Claude Debussy, Berliner Philharmoniker, Claudio Abbado is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 キー

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Children's Corner (arr. A. Caplet for orchestra): The Snow is Dancing by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif SegerstamChildren's Corner (arr. A. Caplet for orchestra): The Snow is DancingAndre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif SegerstamD Minor07A113 BPM
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanPeer Gynt Suite No.1, Op.46: 2. The Death Of AaseEdvard Grieg, Berliner Philharmoniker, Herbert von KarajanG Major09B45 BPM
Ma mère l'oye, M. 62: I. Danse du rouet et Scène - Allegro by Maurice Ravel, Berliner Philharmoniker, Pierre BoulezMa mère l'oye, M. 62: I. Danse du rouet et Scène - AllegroMaurice Ravel, Berliner Philharmoniker, Pierre BoulezB♭ Minor03A85 BPM
Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace by Ottorino Respighi, Berliner Philharmoniker, Herbert von KarajanAntiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - VivaceOttorino Respighi, Berliner Philharmoniker, Herbert von KarajanG Minor16A119 BPM
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange"Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav SjökvistA♭ Major04B80 BPM
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro by Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisPiano Concerto No. 2 Op. 102 in F Major: III. AllegroDmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisC Major48B150 BPM
Symphony No. 40 In G Minor, K.550: 4. Finale (Allegro assai) by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl BöhmSymphony No. 40 In G Minor, K.550: 4. Finale (Allegro assai)Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl BöhmG Minor36A128 BPM
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppoFelix Mendelssohn, Berliner Philharmoniker, Herbert von KarajanF Major27B123 BPM
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso by Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener PhilharmonikerPiano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino graziosoRobert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener PhilharmonikerD♭ Major03B174 BPM
Stabat Mater: 5. Quis est homo by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonStabat Mater: 5. Quis est homoGiovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonC Minor15A94 BPM
ISRC
DEF059804433
レコードレーベル
L-M Records/RCA Records