Karl Kohaut, Ars Antiqua Austria's 'Divertimento primo in B Flat Major: I. Molto andante' had a release date set for October 30, 2009. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Divertimento primo in B Flat Major: I. Molto andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Karl Kohaut, Gunar Letzbor, Jan Krigovsky, Hubert Hoffmann, Ars Antiqua Austria's "Karl Kohaut - Haydn's Lute Player" album is number 4 out of 16. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Divertimento primo in B Flat Major: I. Molto andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Divertimento primo in B Flat Major: I. Molto andante by Karl Kohaut, Ars Antiqua Austria to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Major, G01: II. Allegro Assai | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | D♭ Major | 1 | 3B | 111 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Fantasia No. 1 in D Major, TWV 33:1 (Excerpt) [Arr. Y. Kondonassis] | Georg Philipp Telemann, Yolanda Kondonassis | E Minor | 0 | 9A | 104 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonata Seconda detta la Desperata | Carlo Farina, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 131 BPM | ||
Viola da gamba Sonata in A Major, A2:53: II. Allegro assai | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | A♭ Major | 2 | 4B | 116 BPM |