Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella made "Viola da gamba Sonata in A Major, A2:53: II. Allegro assai" available on January 1, 2021. The duration of Viola da gamba Sonata in A Major, A2:53: II. Allegro assai is about 3 minutes long, at 3:22. Based on our data, "Viola da gamba Sonata in A Major, A2:53: II. Allegro assai" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 24 in A Sentimental Journey by Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella, Thomas Boysen. In terms of popularity, Viola da gamba Sonata in A Major, A2:53: II. Allegro assai is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Viola da gamba Sonata in A Major, A2:53: II. Allegro assai by Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
Suite No. 12 in C Major, FbWV 612: III. Sarabande | Johann Jakob Froberger, Władysław Kłosiewicz | B Major | 2 | 1B | 80 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Cello Suite No. 3 in C Major, BWV 1009: V. Bourree I-II (Arr. P. Pandolfo) | Johann Sebastian Bach, Paolo Pandolfo | E Major | 0 | 12B | 101 BPM |