"Sonata Seconda detta la Desperata" by Carlo Farina, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent had its release date on January 24, 2006. This song appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Teatro Lirico". In this album, this song's track order is #7. Based on our statistics, Sonata Seconda detta la Desperata's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata Seconda detta la Desperata by Carlo Farina, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: End of 3rd Act – Lochaber | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 139 BPM | ||
Sonatae unarum fidium: III. Gigue | Johann Heinrich Schmelzer, Ensemble Stravaganza, Domitille Gilon, Thomas Soltani | A♭ Major | 4 | 4B | 123 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Quatrième suite in A Minor: No. 5, Caprice | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 78 BPM | ||
Chacony in G Minor, Z. 730 | Henry Purcell, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Balletto Seconda à 3 | Carlo Farina, Instrumenta Musica, Ercole Nisini | B♭ Minor | 1 | 3A | 118 BPM | ||
Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | B Major | 4 | 1B | 98 BPM | ||
Le Bourgeois gentilhomme, LWV 43: Canaries | Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Minor | 2 | 5A | 84 BPM | ||
Folias | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 1 | 8B | 105 BPM | ||
Saltarello della tedesca | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 1 | 7A | 129 BPM |