Marin Marais, François Joubert-Caillet, L'Achéron's 'Quatrième suite in A Minor: No. 5, Caprice' came out on October 15, 2021. With Quatrième suite in A Minor: No. 5, Caprice being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Quatrième livre de pièces de viole" album is number 14 out of 105. On top of that, Belgium appears to be the country where this track was created. Quatrième suite in A Minor: No. 5, Caprice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatrième suite in A Minor: No. 5, Caprice by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Sonata of Scots Tunes: IV. Cromlit's Lilt (Largo) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | B Major | 2 | 1B | 143 BPM | ||
Suite in G Major: IV. Sarabande: La du haut Menil | Robert de Visée, Yasunori Imamura | B Minor | 0 | 10A | 94 BPM | ||
Suite in G Minor, BWV 1008: II. Allemande | Johann Sebastian Bach, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Sonata No. 1: II. Adagio | Carl Friedrich Abel, Petr Hejny | A♭ Major | 0 | 4B | 175 BPM | ||
Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 78 BPM | ||
Ricercar XIX | Paolo Quagliati, Le Poème Harmonique, Vincent Dumestre | E♭ Minor | 0 | 2A | 113 BPM | ||
Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
Sonata in G Minor, Op. 1 No. 6: III. Sarabanda | Giovanni Zamboni, Andreas Arend | E Major | 0 | 12B | 82 BPM |