Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri's 'Il Barbiere di Siviglia (1996 Digital Remaster): Si, si, la vincerò (Rosina/Figaro)' came out on 1996. With Il Barbiere di Siviglia (1996 Digital Remaster): Si, si, la vincerò (Rosina/Figaro) being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. The popularity of Il Barbiere di Siviglia (1996 Digital Remaster): Si, si, la vincerò (Rosina/Figaro) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il Barbiere di Siviglia (1996 Digital Remaster): Si, si, la vincerò (Rosina/Figaro) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut / Act 3: All'armi! All'armi! | Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, James Courtney, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Minor | 4 | 9A | 79 BPM | ||
Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 77 BPM | ||
Rigoletto / Act 1: Scena e Coro - Finale I. "Riedo!... Perché?" | Giuseppe Verdi, Sherrill Milnes, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 137 BPM | ||
I Puritani / Act 1: Or dove fuggo mai? | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 99 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Messa di Gloria, Op.posth., Credo: Et unam sanctam catholicam - | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 1 | 4B | 85 BPM | ||
Così fan tutte ossia La scuola degli amanti, K.588 / Act 2: "Una donna a quindici anni" - "Sorella, cosa dici?" | Wolfgang Amadeus Mozart, Marie McLaughlin, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | G Major | 1 | 9B | 110 BPM | ||
Ciro in Babilonia (Cyrus in Babylon): Act I: Aria: Vorrei veder lo sposo (Amira, Chorus) | Gioachino Rossini, Riccardo Botta, Anna Rita Gemmabella, Luisa Islam-Ali-Zade, Maria Soulis, Wojtek Gierlach, Giorgio Trucco, Giovanni Bellavia, ARS Brunensis Chamber Choir, Württembergische Philharmonie Reutlingen, Antonino Fogliani | E Major | 1 | 12B | 70 BPM | ||
Puccini: La rondine, Act 3: "Figliuolo tu mi dici" (Ruggero, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Rigoletto / Act 1: Della mia bella incognita borghese | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini | A♭ Major | 0 | 4B | 119 BPM |