Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra's 'Puccini: La rondine, Act 3: "Figliuolo tu mi dici" (Ruggero, Magda)' came out on January 4, 1997. The duration of Puccini: La rondine, Act 3: "Figliuolo tu mi dici" (Ruggero, Magda) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Puccini: La rondine, Act 3: "Figliuolo tu mi dici" (Ruggero, Magda)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Puccini: La Rondine". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Puccini: La rondine, Act 3: "Figliuolo tu mi dici" (Ruggero, Magda) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puccini: La rondine, Act 3: "Figliuolo tu mi dici" (Ruggero, Magda) by Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Lucia Popp, Klaus Tennstedt, London Philharmonic Orchestra | G Major | 1 | 9B | 87 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |