"Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto)" by Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine was released on January 1, 1998. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #9 out of 40 tracks. Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto) by Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto) being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Malinconia, ninfa gentile | Vincenzo Bellini, Cecilia Bartoli, James Levine | F Major | 3 | 7B | 107 BPM | ||
Bizet: Carmen, WD 31, Act 2: "Non ! Je ne veux plus t'écouter !" (Don José, Carmen) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Roberto Alagna, Orchestre National Du Capitole De Toulouse | G Minor | 3 | 6A | 164 BPM | ||
Pagliacci / Act 2: "Presto, affrettiamoci" | Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 3 | 12B | 109 BPM | ||
Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | ||
Norma / Act 1: Oh! di qual sei tu vittima | Vincenzo Bellini, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 122 BPM | ||
Carmina Burana / 3. Cour d'amours: "Amor volat undique" | Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine, Glen Ellyn Children's Chorus | D Minor | 2 | 7A | 135 BPM | ||
La traviata / Act 1: Sempre libera | Giuseppe Verdi, Nadine Sierra, Paolo Fanale, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | A♭ Major | 1 | 4B | 78 BPM | ||
Turandot / Act II: No, no, Principessa altera (Calaf, Altoum, Coro) | Giacomo Puccini, Plácido Domingo, Piero de Palma, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D♭ Major | 3 | 3B | 83 BPM | ||
Nabucco / Act 4: (Introduzione) / Va, la palma del martirio | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E♭ Major | 0 | 5B | 130 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM |