"Messa di Gloria, Op.posth., Credo: Et unam sanctam catholicam -" by Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano was released on 2001. The duration of Messa di Gloria, Op.posth., Credo: Et unam sanctam catholicam - is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Messa di Gloria, Op.posth., Credo: Et unam sanctam catholicam -'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Puccini: Messa di Gloria". In this album, this song's track order is #13. Messa di Gloria, Op.posth., Credo: Et unam sanctam catholicam - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Gloria, Op.posth., Credo: Et unam sanctam catholicam - by Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Uf dem Anger: Reie - "Swaz hie gat umbe" - "Chume, chum geselle min" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 0 | 7B | 135 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Puccini: La rondine, Act 1: "Un momento, scusi ecco" (Lisette, Rambaldo, Magda) | Giacomo Puccini, Alberto Rinaldi, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Battle of the Heroes | John Williams, London Symphony Orchestra | C Minor | 3 | 5A | 90 BPM | ||
Messa di Gloria, Op.posth., Credo: Et resurrexit tertia die - Et in Spiritum Sanctum | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 2 | 5A | 119 BPM | ||
Puccini: Messa di Gloria, Op. posth: II. Gloria - Gloria in excelsis Deo - In terra pax - Laudamus te | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 2 | 4B | 108 BPM | ||
Madame Butterfly - Grosser Querschnitt: Wollt ihr mich nun lieben | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM |