"Selig sind die Toten, SWV 391" by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze was released on October 2, 2020. With this song being about 5 minutes long, at 4:33, "Selig sind die Toten, SWV 391" by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake's "Geistliche Chor-Music 1648" album is number 15 out of 15. On top of that, Germany appears to be the country where this track was created. The popularity of Selig sind die Toten, SWV 391 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Selig sind die Toten, SWV 391 by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze to be Vivace (lively and fast) because the track has a tempo of 166 テンポ, a half-time of 83テンポ, and a double-time of 332 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: No. 3, Wie zittern und wanken der Sünder Gedanken | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | F♯ Minor | 1 | 11A | 115 BPM | ||
Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM | ||
Biber: Requiem a 15 in A Major: III. Sequenz | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Maria wallt zum Heiligtum | Johannes Eccard, Owain Park, The Gesualdo Six | C Minor | 2 | 5A | 81 BPM | ||
Te Deum: In Te, Domine, speravi | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | D Minor | 0 | 7A | 78 BPM |