Traditional, Christina Pluhar, Alessandro Giangrande's 'Traditional / Arr. Pluhar: Lo Guarracino. Tarentella' came out on October 29, 2021. Traditional / Arr. Pluhar: Lo Guarracino. Tarentella is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The song is number 5 out of 24 in Alla Napoletana by Christina Pluhar, L'Arpeggiata. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Traditional / Arr. Pluhar: Lo Guarracino. Tarentella's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Traditional / Arr. Pluhar: Lo Guarracino. Tarentella by Traditional, Christina Pluhar, Alessandro Giangrande is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 2: Ah, non credea mirarti | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A Minor | 1 | 8A | 109 BPM | ||
O Pajem | Alfredo Marceneiro, Christina Pluhar, Fernando Teles | G Minor | 1 | 6A | 110 BPM | ||
Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | D Minor | 2 | 7A | 119 BPM | ||
Le Bœuf sur le toit, Op. 58 | Darius Milhaud, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Major | 2 | 7B | 106 BPM | ||
Adriana Lecouvreur: Poveri fiori | Francesco Cilea, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Minor | 2 | 7A | 76 BPM | ||
Dark Eyes (Arr. Harle) | Traditional, Jess Gillam, Zeynep Özsuca, John Harle, Tippett Quartet, Andee Birkett | C Minor | 5 | 5A | 92 BPM | ||
Traditional: La canzone di Cecilia (Arr. Pluhar) | Traditional, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | C Minor | 0 | 5A | 145 BPM | ||
Poulenc / Transcr. Garcia: À sa guitare, FP 79a | Francis Poulenc, Philippe Jaroussky, Thibaut García | E Major | 0 | 12B | 131 BPM | ||
In furore iustissimae irae, RV 626: IV. Allegro | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B Minor | 2 | 10A | 125 BPM | ||
Le nozze di Figaro, K.492 / Act 4: L'ho perduta... me meschina! | Wolfgang Amadeus Mozart, Patricia Petibon, Concerto Köln, Daniel Harding | F Major | 0 | 7B | 75 BPM |