Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto made "Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night"" available on 1900. With this song being about 5 minutes long, at 4:40, "Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night"" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 13 out of 17. In terms of popularity, Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lamentu di Ghjesu (sopra la Follia) | Nando Acquaviva, Roccu Mambrini, Toni Casalonga, Barbara Furtuna | F Major | 1 | 7B | 81 BPM | ||
Funeral Sentences For Queen Mary: Funeral March | Timothy Brown, Ron Bryans, Tim Handley, Nicholas Parker, Marshall Marcus, Nicholas Parker, Tim Handley, Choir of Clare College, Cambridge, Robert Howes, Liz Kenny, Andrew Manze, Jonathan Brown, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins, William Carter, Mark Bennet, Keri Dexter, Jan Schlapp, Micheal Laird, Baroque Brass Of London | C Minor | 2 | 5A | 89 BPM | ||
O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM | ||
La Villanella, Seconda parte, Dolente partita: IV. Galliarda prima | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar | F Major | 3 | 7B | 103 BPM | ||
Ziani / Arr. Pluhar: Dormite o pupille | Pietro Andrea Ziani, Christina Pluhar, Valer Sabadus | E Minor | 1 | 9A | 175 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Lumi, potete piangere | Giovanni Legrenzi, Christina Pluhar | G Minor | 0 | 6A | 86 BPM | ||
Amarillide, deh vieni | Stefano Landi, L'Arpeggiata, Christina Pluhar | F Major | 1 | 7B | 135 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
O che felice giorno | Giulio Caccini, Stephan Van Dyck, Christina Pluhar, Paulina Van Laarhoven, Eero Palviainen, Francisco Gato, Vincent Libert | B♭ Major | 1 | 6B | 116 BPM |