"Lamentu di Ghjesu (sopra la Follia)" by Nando Acquaviva, Roccu Mambrini, Toni Casalonga, Barbara Furtuna was released on March 22, 2010. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Via Crucis by Christina Pluhar, L'Arpeggiata. The song's track number on the album is #13 out of 18 tracks. Lamentu di Ghjesu (sopra la Follia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentu di Ghjesu (sopra la Follia) by Nando Acquaviva, Roccu Mambrini, Toni Casalonga, Barbara Furtuna has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lamentu di Ghjesu (sopra la Follia) being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
O magnum mysterium | Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego | F♯ Minor | 0 | 11A | 180 BPM | ||
So le muntagne d'Orezza | Tavagna | E Major | 2 | 12B | 88 BPM | ||
Giulio Cesare / Act 3: "Piangerò la sorte mia" | George Frideric Handel, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | E♭ Major | 1 | 5B | 124 BPM | ||
Che si può fare? | Barbara Strozzi, Simone Kermes, Enrico Casazza | E Minor | 1 | 9A | 112 BPM | ||
Stabat mater: III. Vidit Jesum In Tormentis | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Ian Tracey, Royal Liverpool Philharmonic Chorus, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | C Major | 3 | 8B | 85 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
De profundis, "Psalm 129" | Josquin des Prez, Bremen Weser-Renaissance, Manfred Cordes | A Minor | 2 | 8A | 134 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM |