"De profundis, "Psalm 129"" by Josquin des Prez, Bremen Weser-Renaissance, Manfred Cordes was released on October 2, 2012. With this song being about 5 minutes long, at 4:54, "De profundis, "Psalm 129"" by Josquin des Prez, Bremen Weser-Renaissance, Manfred Cordes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Psalm Settings". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, De profundis, "Psalm 129"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De profundis, "Psalm 129" by Josquin des Prez, Bremen Weser-Renaissance, Manfred Cordes having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
All-night Vigil, Op. 37, "Vespers": O Joyful Light | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 2 | 4B | 105 BPM | ||
O Crux ave, spes unica | Giaches de Wert, Stile Antico | C Minor | 1 | 5A | 80 BPM | ||
Taaveti laulud 22, "Mu Jumal! Mu Jumal!" (Psalm 22, "My God, my God?") | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | G Major | 0 | 9B | 80 BPM | ||
Versa est in luctum | Alonso Lobo, Tenebrae, Nigel Short | G Minor | 1 | 6A | 135 BPM | ||
Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire | Cipriano de Rore, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
Kyrie eleison: Kyrie | Hildegard von Bingen, Vajra Voices | D Major | 1 | 10B | 71 BPM |