"Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me"" by Cristobal de Morales, Gabrieli, Paul McCreesh was released on January 1, 1998. The duration of Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" is about 3 minutes long, at 3:10. Based on our data, "Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Cristobal de Morales, Gabrieli, Paul McCreesh's "Morales: Requiem - Music for Philip II" album is number 1 out of 19. Based on our statistics, Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" by Cristobal de Morales, Gabrieli, Paul McCreesh to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ancor che col partire | Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 2 | 8A | 73 BPM | ||
Canzon VIII a 8 (C202) | Giovanni Gabrieli, Gabrieli, Paul McCreesh | A Minor | 0 | 8A | 90 BPM | ||
Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
Missa Salisburgensis: I. Kyrie | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 78 BPM | ||
Virgo prudentissima | Hilaire Penet, Alan Black, Pomerium | D Minor | 1 | 7A | 136 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Take Him, Earth, for Cherishing | Herbert Howells, Tenebrae, Nigel Short | B Major | 0 | 1B | 74 BPM | ||
Officium defunctorum: Invitatorium: Salmo 94: "Venite, Exultemus Domino" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 77 BPM | ||
Tota pulchra es | Jean Mouton, Alamire, David Skinner | D Minor | 3 | 7A | 128 BPM | ||
Surrexit Christus (chant) | Cesare Bendinelli, Gabrieli, Paul McCreesh | D Major | 2 | 10B | 126 BPM |