"Poulenc / Transcr. Garcia: À sa guitare, FP 79a" by Francis Poulenc, Philippe Jaroussky, Thibaut García was released on October 8, 2021. The duration of Poulenc / Transcr. Garcia: À sa guitare, FP 79a is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Poulenc / Transcr. Garcia: À sa guitare, FP 79a's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in À sa guitare, so we believe that "Poulenc / Transcr. Garcia: À sa guitare, FP 79a" is a single. Based on our statistics, Poulenc / Transcr. Garcia: À sa guitare, FP 79a's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poulenc / Transcr. Garcia: À sa guitare, FP 79a by Francis Poulenc, Philippe Jaroussky, Thibaut García is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano | Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent | G Minor | 0 | 6A | 76 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Vivaldi: Tieteberga, RV 737: "Sento in seno ch'in pioggia di lagrime" (Lotario) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | B♭ Minor | 0 | 3A | 119 BPM | ||
Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil) | Jean-Baptiste Lully, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Michel Laplénie, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 100 BPM | ||
Les mariniers adorent un beau jour | Didier Leblanc, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 118 BPM | ||
Boësset / Arr. Pluhar: Nos esprits libres et contents | Antoine Boësset, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | D Minor | 1 | 7A | 131 BPM | ||
Les Indes galantes, RCT 44, Act III: Forêts paisibles | Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | F♯ Minor | 3 | 11A | 112 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM | ||
Pergolesi: Confitebor tibi Domine, P. 66: V. Sanctum et terribile nomen ejus | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 60 BPM | ||
The Peacock (from 3 Hungarian Folksongs from Csík, Sz. 35a/1) - Grand Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM |