"L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano" by Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent was released on September 14, 2018. The duration of L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in ADN Baroque by Théophile Alexandre, Guillaume Vincent. L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano by Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Germanico in Germania: Parto ti lascio, o cara | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Minor | 1 | 12A | 175 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Peer Gynt Suite No. 2, Op. 55: Solveigs sang (Arr. for Countertenor & String Quartet by Eric Mouret) | Edvard Grieg, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno" | Diego Ortiz, Joel Frederiksen | E Major | 0 | 12B | 126 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo) | Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas Dunford | D♭ Major | 3 | 3B | 136 BPM | ||
Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet | George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Concert d'Astrée, Natalie Dessay | B Major | 4 | 1B | 129 BPM | ||
Il quarto libro de madrigali: IV. Sfogava con le stelle un infermo d’amore, SV 78 | Claudio Monteverdi, Collegium Vocale Gent, Philippe Herreweghe | A♭ Minor | 1 | 1A | 106 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM |