"Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil)" by Jean-Baptiste Lully, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Michel Laplénie, Les Arts Florissants, William Christie was released on February 28, 1987. Since Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 15 out of 74. In terms of popularity, Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil) by Jean-Baptiste Lully, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Michel Laplénie, Les Arts Florissants, William Christie to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzi musicali: Damigella tutta bella, SV 235 | Claudio Monteverdi, Magdalena Kozená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon | B♭ Major | 3 | 6B | 136 BPM | ||
Maddalena ai piedi di Cristo: No. 35 Aria Maddalena "In lagrime stemprato il cor qui cade" | Antonio Caldara, René Jacobs, Maria Cristina Kiehr, Schola Cantorum Basiliensis, Chiara Banchini | B♭ Minor | 0 | 3A | 79 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 3, Rezitativ. "Und Gott machte das Firmament" (Raphael) | Joseph Haydn, William Christie, Dietrich Henschel, Les Arts Florissants | B♭ Major | 4 | 6B | 116 BPM | ||
The Fairy Queen, Z. 629, First Musick: Prelude - 2023 Remaster | Henry Purcell, Les Arts Florissants, William Christie | F Major | 3 | 7B | 112 BPM | ||
Mondonville : De profundis : VII | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | E♭ Minor | 2 | 2A | 126 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Les Indes galantes, Nouvelle Entrée, Scène 6: Danse du Grand Calumet de la Paix (Danse des Sauvages) | Jean-Philippe Rameau, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 79 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Mondonville : Dominus regnavit : III | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Major | 0 | 8B | 73 BPM | ||
Handel: Serse, HWV 40, Act 3, Scene 3: Recitativo. "Ecco in segno di fè" (Romilda, Elviro, Arsamene, Serse) | George Frideric Handel, William Christie, Anne Sofie von Otter, Antonio Abete, Elizabeth Norberg-Schulz, Lawrence Zazzo, Les Arts Florissants | B♭ Minor | 1 | 3A | 100 BPM |