On April 11, 2020, the song "Scherzi musicali: Damigella tutta bella, SV 235" was released by Claudio Monteverdi, Magdalena Kozená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon. The duration of Scherzi musicali: Damigella tutta bella, SV 235 is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Scherzi musicali: Damigella tutta bella, SV 235's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home With Monteverdi by Claudio Monteverdi. The song's track number on the album is #4 out of 47 tracks. Based on our statistics, Scherzi musicali: Damigella tutta bella, SV 235's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Scherzi musicali: Damigella tutta bella, SV 235 by Claudio Monteverdi, Magdalena Kozená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Scherzi musicali: Damigella tutta bella, SV 235 being at 136 テンポ, the half-time would be 68 テンポ with a double-time of 272 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Armide: Act II Scene 5: Enfin il est en ma puissance (Armide) | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | D Minor | 1 | 7A | 94 BPM | ||
Selva morale e spirituale, SV 252-288: Dixit Dominus secondo, SV 264 | Claudio Monteverdi, Balthasar-Neumann-Chor & Solisten, Balthasar-Neumann-Ensemble, Pablo Heras-Casado | F♯ Major | 2 | 2B | 175 BPM | ||
Lamento della ninfa: II. Amor | Claudio Monteverdi, Ann Wallström, Stefan Lindvall, David Gammelgård, Anders Ericson, Mattias Frostenson, Fredrik Malmberg, Harmony of Voices | A♭ Minor | 1 | 1A | 68 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
Ombre de mon amant (Air de cour) | Michel Lambert, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 145 BPM | ||
Alcina, HWV 34, Act I: Questo è il cielo di contenti | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Alex Rosen, Anna Bonitatibus, Valerio Contaldo, Elizabeth DeShong, Magdalena Kozená, Erin Morley | B Minor | 2 | 10A | 166 BPM | ||
Bizet: Carmen, Act 2: "Non! tu ne m'aimes pas!" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | C Major | 1 | 8B | 91 BPM |