"King Arthur, Or The British Worthy, Z.628 / Act 3: What Power Art Thou (Genius)" by Henry Purcell, Brian Bannatyne-Scott, The English Concert, Trevor Pinnock had its release date on January 1, 1992. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. King Arthur, Or The British Worthy, Z.628 / Act 3: What Power Art Thou (Genius)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Purcell: King Arthur". In this album, this song's track order is #20. In terms of popularity, King Arthur, Or The British Worthy, Z.628 / Act 3: What Power Art Thou (Genius) is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With King Arthur, Or The British Worthy, Z.628 / Act 3: What Power Art Thou (Genius) by Henry Purcell, Brian Bannatyne-Scott, The English Concert, Trevor Pinnock having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Funeral Sentences For Queen Mary: Funeral March | Timothy Brown, Ron Bryans, Tim Handley, Nicholas Parker, Marshall Marcus, Nicholas Parker, Tim Handley, Choir of Clare College, Cambridge, Robert Howes, Liz Kenny, Andrew Manze, Jonathan Brown, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins, William Carter, Mark Bennet, Keri Dexter, Jan Schlapp, Micheal Laird, Baroque Brass Of London | C Minor | 2 | 5A | 89 BPM | ||
Verdi : Messa da Requiem : II Dies irae | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra | G Minor | 3 | 6A | 83 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | ||
Timon of Athens, Masque: Curtain Tune on a Ground | Henry Purcell, Richard Hickox, Collegium Musicum 90 | F♯ Minor | 1 | 11A | 125 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 136 BPM |