"Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): IV. Intermezzo" by Erich Wolfgang Korngold, Patrick Savage, Martin Cousin was released on April 5, 2024. With this song being about 5 minutes long, at 4:39, "Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): IV. Intermezzo" by Erich Wolfgang Korngold, Patrick Savage, Martin Cousin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "The Golden Age of Hollywood". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): IV. Intermezzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): IV. Intermezzo by Erich Wolfgang Korngold, Patrick Savage, Martin Cousin having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite, Op. 23: 2. Walzer | Erich Wolfgang Korngold, Ulf Forsberg, Kjell Lysell, Mats Lidström, Bengt Forsberg | D Major | 0 | 10B | 107 BPM | ||
Romeo and Juliet, Op. 64: I. Introduction | Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic | D Major | 0 | 10B | 77 BPM | ||
Prologue (Main Title) - Re-record | Erich Wolfgang Korngold | E♭ Major | 2 | 5B | 135 BPM | ||
Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM | ||
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Tristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Souvenirs, Op. 28: III. Pas de deux | Samuel Barber, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) | Eugène Ysaÿe, Alon Sariel | G Minor | 5 | 6A | 99 BPM | ||
Recitative & Aria for Violin & Piano | Jerome Moross, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM |