"Oh! Weep for Those (Arr. Isserlis)" by Isaac Nathan, Steven Isserlis, Connie Shih was released on November 4, 2022. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 13 in A Golden Cello Decade, 1878-1888: Dvořák, R. Strauss, Bruch, Le Beau by Steven Isserlis, Connie Shih. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Oh! Weep for Those (Arr. Isserlis) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oh! Weep for Those (Arr. Isserlis) by Isaac Nathan, Steven Isserlis, Connie Shih is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder Ohne Worte, Erstes Heft, Op. 19 (Arr. for Violin and Piano by Ferdinand David): IV. Venetianisches Gondellied: Andante con moto | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
6 Pieces, Op. 79: No. 6, Berceuse | Jean Sibelius, Cecilia Ziano, Alessandro Stella | D♭ Minor | 0 | 12A | 92 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
Im Walde, Op. 50 (arr. P. Breiner for orchestra): III. Andacht (Devotion) | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | E♭ Major | 0 | 5B | 80 BPM | ||
Rimsky-Korsakov: Serenade for Cello and Orchestra, Op. 37 | Nikolai Rimsky-Korsakov, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe | B♭ Major | 0 | 6B | 91 BPM | ||
Concerto for Violin and Winds: I. Con brio | George Lloyd, Cristina Anghelescu, Philharmonia Orchestra, David Parry | A Minor | 2 | 8A | 106 BPM | ||
Violin Sonata in A Major, FWV 8 (Arr. J. Delsart for Cello & Piano): II. Allegro | Reynaldo Hahn, Steven Isserlis, Connie Shih | A Major | 1 | 11B | 72 BPM | ||
Tchaikovsky: 6 Pieces, Op. 19: No. 4, Nocturne (Version for Cello and Orchestra) | Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Chamber Orchestra of Europe | D Major | 0 | 10B | 84 BPM | ||
Cello Suite No. 3 in C Major, BWV 1009: II. Allemande | Johann Sebastian Bach, Steven Isserlis | C Major | 1 | 8B | 110 BPM | ||
Berceuse, Op. 16 (Version for Violin and Orchestra) | Gabriel Fauré, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Major | 0 | 10B | 95 BPM |