Eugène Ysaÿe, Alon Sariel made "Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel)" available on January 19, 2024. The duration of Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) is about 3 minutes long, at 3:15. Based on our data, "Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Eugène Ysaÿe: Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) by Eugène Ysaÿe, Alon Sariel is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate e Partite: No. 2, Andante (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
Sonata No. 1 in G Minor, Op. 27 No. 1: IV. Finale con brio: Allegro fermo | Eugène Ysaÿe, James Ehnes | F Minor | 3 | 4A | 172 BPM | ||
Colección de Tangos: V. Tango V | Julian Arcas, Guillem Perez-Quer | D Minor | 1 | 7A | 138 BPM | ||
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
The New Four Seasons - Winter: II. Cozy Fireplace and Rain Outside (After Violin Concerto No. 4, Op. 8, RV 297, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Three Pieces for Clarinet Solo: No. 2 | Igor Stravinsky, Pietro Tagliaferri | D Minor | 0 | 7A | 66 BPM | ||
Satie: 3 Gymnopédies: No. 2, Lent et triste (Arr. de Smet for Flute and Harp) | Erik Satie, Markus Klinko, Benoît Fromanger | E♭ Minor | 1 | 2A | 97 BPM | ||
5 Pezzi facili: No. 5. Il soldatino | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
Dark Sonata | Michael Raven | G Major | 0 | 9B | 136 BPM | ||
Toccata Arpeggiata | Giovanni Girolamo Kapsberger, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |