Nino Rota, Mario Carbotta, Carlo Balzaretti's '5 Pezzi facili: No. 5. Il soldatino' came out on January 1, 1999. With 5 Pezzi facili: No. 5. Il soldatino being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Rota, N.: Chamber Music for Flute". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. In terms of popularity, 5 Pezzi facili: No. 5. Il soldatino is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Pezzi facili: No. 5. Il soldatino by Nino Rota, Mario Carbotta, Carlo Balzaretti having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Après un rêve, Op. 7, No. 1: 3 Songs, Op. 7: No. 1, Après un rêve (Arr. For cello and guitar) | Gabriel Fauré, Claremont Duo | F Minor | 1 | 4A | 77 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Ocean Sunfish | Ensemble Offspring | E Minor | 0 | 9A | 61 BPM | ||
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: II. Episodes: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM |