"Pagliacci / Act I: Non mi tentar!" by Ruggero Leoncavallo, Joan Carlyle, Rolando Panerai, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan was released on January 1, 1966. With this song being about 5 minutes long, at 5:27, "Pagliacci / Act I: Non mi tentar!" by Ruggero Leoncavallo, Joan Carlyle, Rolando Panerai, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ruggero Leoncavallo, Carlo Bergonzi, Joan Carlyle, Giuseppe Taddei, Ugo Benelli, Rolando Panerai, Giuseppe Morresi, Franco Ricciardi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano, Roberto Benaglio's "Leoncavallo: I Pagliacci" album is number 12 out of 24. On top of that, Germany appears to be the country where this track was created. Pagliacci / Act I: Non mi tentar! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act I: Non mi tentar! by Ruggero Leoncavallo, Joan Carlyle, Rolando Panerai, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM | ||
Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | E Major | 0 | 12B | 89 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Aria ¨Non Piu Andrai, Farfallone Amoroso | Orquesta Sinfónica Y Coro De La RAI De Roma | C Major | 2 | 8B | 122 BPM | ||
Andrea Chénier / Act 3: Nemico della Patria? | Umberto Giordano, Leo Nucci, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | E Minor | 2 | 9A | 72 BPM | ||
Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, Muenchner Rundfunkorchester | B♭ Major | 1 | 6B | 131 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 1 | 4B | 71 BPM |