"Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale)" by Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti was released on 1984. The duration of Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 45 in Donizetti: Don Pasquale by Gaetano Donizetti, Riccardo Muti. Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) by Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Gianni Schicchi: O Mio Babbino Caro | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | A♭ Major | 2 | 4B | 84 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Les Contes d'Hoffmann (The Tales of Hoffman): Scintille, diamant! | Jacques Offenbach, Samuel Ramey, Munich Radio Orchestra, Julius Rudel | D Major | 2 | 10B | 147 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" - "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Parsifal, WWV 111 / Act I: He! Ho! Waldhüter ihr | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
Lucia di Lammermoor, Act II: Che fia? … Suonar di giubilo (Lucia, Enrico) | Gaetano Donizetti, Salvadore Cammarano, William Wildermann, Mario Zanasi, Dame Joan Sutherland, Richard Tucker, Margery MacKay, Piero de Palma, Mariano Caruso, Chicago Lyric Opera Chorus, Chicago Lyric Opera Orchestra, Antonino Votto | B Major | 4 | 1B | 74 BPM |