Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri made "Il Barbiere di Siviglia (1996 Digital Remaster): Ah, che bella vita! (Figaro/Conte)" available on 1996. The duration of Il Barbiere di Siviglia (1996 Digital Remaster): Ah, che bella vita! (Figaro/Conte) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Il Barbiere di Siviglia (1996 Digital Remaster): Ah, che bella vita! (Figaro/Conte)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #8. Il Barbiere di Siviglia (1996 Digital Remaster): Ah, che bella vita! (Figaro/Conte) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il Barbiere di Siviglia (1996 Digital Remaster): Ah, che bella vita! (Figaro/Conte) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Gloria, Op.posth., Credo: Et unam sanctam catholicam - | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 1 | 4B | 85 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Venite... inginocchiatevi..." | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 84 BPM | ||
Carmen / Act 2: Toreador Song: "Votre toast, je peux vous le rendre" (from Carmen / Act 2) | Georges Bizet, Barry Wordsworth, Bryn Terfel, London Symphony Orchestra | B♭ Minor | 4 | 3A | 112 BPM | ||
I Puritani / Act 1: Sai com'arde in petto mio | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge | A Major | 2 | 11B | 140 BPM | ||
Otello / Act 1: "Inaffia l'ugola! Trinca, tracanna" (Brindisi) | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, John Keyes, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Minor | 1 | 9A | 149 BPM | ||
Rigoletto / Act 1: Della mia bella incognita borghese | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini | A♭ Major | 0 | 4B | 119 BPM | ||
Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | A♭ Major | 1 | 4B | 80 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Hai già vinta la causa!" | Wolfgang Amadeus Mozart, Thomas Hampson, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 82 BPM | ||
Tosca / Act 2: "Ov'è Angelotti?...Ed or fra noi parliam" | Giacomo Puccini, Sherrill Milnes, Luciano Pavarotti, Michel Sénéchal, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | F Major | 1 | 7B | 84 BPM | ||
Nabucco / Act 3: Eccelsa Donna | Giuseppe Verdi, Kurt Rydl, Ghena Dimitrova, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | B♭ Minor | 1 | 3A | 104 BPM |