The Wave Quartet, Johann Sebastian Bach, Christoph Sietzen, Vladimir Petrov, Emiko Uchiyama, Bogdan Bacanu's 'The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav.' came out on June 10, 2011. The duration of The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav. is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Senza Ripieno". In this album, this song's track order is #16. Based on our statistics, The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav.'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Art of Fugue - Contrapunctus XIII - Alio modo. Fuga a 2 Clav. by The Wave Quartet, Johann Sebastian Bach, Christoph Sietzen, Vladimir Petrov, Emiko Uchiyama, Bogdan Bacanu having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Méditation Hébraïque | Ernest Bloch, Sol Gabetta | F Major | 1 | 7B | 99 BPM | ||
Bassoon Concerto in A Minor, RV 498: II. Larghetto | Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica | F Major | 0 | 7B | 63 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
12 Fantasias for Flute: No. 1 in A Major, TWV 40:2 | Georg Philipp Telemann, Seiya Ueno | A Major | 1 | 11B | 74 BPM | ||
Debussy: Première rapsodie in B-Flat Major, CD 124, L. 116 (Orchestral Version) | Claude Debussy, Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 113 BPM | ||
Tanguedia (arr. B. Bacanu, V. Petrov, C. Sietzen and Emiko Uchiyama for 4 marimbas) | Astor Piazzolla, The Wave Quartet | E Minor | 4 | 9A | 115 BPM |