"Bassoon Concerto in A Minor, RV 498: II. Larghetto" by Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica was released on November 20, 2015. With this song being about 5 minutes long, at 4:46, "Bassoon Concerto in A Minor, RV 498: II. Larghetto" by Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Concerti per fagotto, Vol. 4 by Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica. The song's track number on the album is #8 out of 18 tracks. Bassoon Concerto in A Minor, RV 498: II. Larghetto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bassoon Concerto in A Minor, RV 498: II. Larghetto by Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Bassoon Concerto in A Minor, RV 498: II. Larghetto being at 63 テンポ, the half-time would be 32 テンポ with a double-time of 126 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: 3. Adagio | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | G Major | 0 | 9B | 94 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Major | 2 | 2B | 94 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM | ||
Wind Quintet in F Major, Op. 68, No. 2: I. Allegro | Franz Danzi, Michael Thompson Wind Ensemble | F Major | 1 | 7B | 126 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Hymnus Deus tuorum militum, RV 612 | Antonio Vivaldi, Delphine Galou, Accademia Bizantina, Ottavio Dantone, Alessandro Giangrande | B Major | 4 | 1B | 95 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM |