St. Petersburg Zazerkalye Theater Orchestra, Pavel Bubelnikov's 'Serenade for Orchestra in D Major, K. 250 (Haffner): VIII. Adagio - Allegro assai' came out on August 19, 2008. Since Serenade for Orchestra in D Major, K. 250 (Haffner): VIII. Adagio - Allegro assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of W.A. Mozart: Eine Kleine Nachtmusik and Haffner Serenades by St. Petersburg Zazerkalye Theater Orchestra. The song's track number on the album is #10 out of 10 tracks. In terms of popularity, Serenade for Orchestra in D Major, K. 250 (Haffner): VIII. Adagio - Allegro assai is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Serenade for Orchestra in D Major, K. 250 (Haffner): VIII. Adagio - Allegro assai by St. Petersburg Zazerkalye Theater Orchestra, Pavel Bubelnikov has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Serenade for Orchestra in D Major, K. 250 (Haffner): VIII. Adagio - Allegro assai being at 113 テンポ, the half-time would be 56 テンポ with a double-time of 226 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle from Sebastian Suite | Gian Carlo Menotti, Eugene Ormandy | A Major | 1 | 11B | 168 BPM | ||
12 Danzas Españolas Op. 37: 5. Andaluza | Enrique Granados, Alicia de Larrocha | E Major | 0 | 12B | 172 BPM | ||
Carmen: Act I: Prelude | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | A Minor | 3 | 8A | 128 BPM | ||
Arabeske in C Major, Op. 18 | Robert Schumann, Evgeny Kissin | F♯ Major | 1 | 2B | 70 BPM | ||
Verdi: La traviata, Act 1: "Libiamo ne' lieti calici" (Alfredo, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Chorus) | Giuseppe Verdi, Riccardo Muti, Alfredo Kraus, Henry Newman, Renata Scotto, Richard van Allan, Roderick Kennedy, Sarah Walker, Suso Mariategui, Philharmonia Orchestra | B♭ Major | 2 | 6B | 71 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Concertgebouworkest, Riccardo Chailly | F Major | 0 | 7B | 82 BPM | ||
Polonaise No. 3 in A Major, Op. 40, No. 1, "Military" | Frédéric Chopin, Idil Biret | A Major | 4 | 11B | 144 BPM | ||
Hungarian Rhapsody No. 2, S. 244 after Vladimir Horowitz | Franz Liszt, Arcadi Volodos | D♭ Major | 2 | 3B | 79 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major | Antonín Dvořák, Balazs Szokolay | F♯ Major | 1 | 2B | 112 BPM |