"Hungarian Rhapsody No. 2, S. 244 after Vladimir Horowitz" by Franz Liszt, Arcadi Volodos was released on April 9, 1997. Since Hungarian Rhapsody No. 2, S. 244 after Vladimir Horowitz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Piano Transcriptions". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Hungarian Rhapsody No. 2, S. 244 after Vladimir Horowitz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hungarian Rhapsody No. 2, S. 244 after Vladimir Horowitz by Franz Liszt, Arcadi Volodos having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giustino, RV 717, Act II: Sento in seno ch'in pioggia di lagrime (arr. G. Anderson and E. J. Roe) | Anderson & Roe | E♭ Minor | 0 | 2A | 119 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Emmanuelle Bertrand, Luzerner Sinfonieorchester, James Gaffigan | F Major | 1 | 7B | 131 BPM | ||
Concierto Para Piano Y Orquesta Nº 1, En Mi Menor Op.11 - Rondo. Vivace | Martha Argerich | E Major | 3 | 12B | 64 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Esa-Pekka Salonen | G Minor | 1 | 6A | 137 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
3 Etudes de Concert, S.144: No. 3 in D Flat "Un sospiro" (Allegro affettuoso) | Franz Liszt, Claudio Arrau | F♯ Major | 0 | 2B | 105 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | E Major | 0 | 12B | 80 BPM | ||
Keyboard Sonata in B Minor, Kk. 87: Keyboard Sonata in B Minor, K.87/L.33/P.43 | Domenico Scarlatti, Yevgeny Sudbin | B Minor | 0 | 10A | 74 BPM |