"Gräfin Mariza: "Grüß mir mein Wien"" by Emmerich Kálmán, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra was released on September 12, 2014. With this song being about 5 minutes long, at 5:27, "Gräfin Mariza: "Grüß mir mein Wien"" by Emmerich Kálmán, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 16 in Du bist die Welt für mich by Jonas Kaufmann. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Gräfin Mariza: "Grüß mir mein Wien" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gräfin Mariza: "Grüß mir mein Wien" by Emmerich Kálmán, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guten Abend, gut' Nacht, Op. 49, No. 4 | Johannes Brahms, Jonas Kaufmann | E♭ Major | 0 | 5B | 71 BPM | ||
Ein blonder Traum: "Irgendwo auf der Welt" | Werner R. Heymann, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
Die Czárdasfürstin: Heller Jubel.. Weisst du es noch? (Princesse Czardas: T'en souvient-il?) | Emmerich Kálmán, Leo Stein, Bela Jenbach, Zuzana Pavlova, Janacek-Philharmonie Ostrava, Jirí Malát | C Minor | 2 | 5A | 100 BPM | ||
La Sonnambula (1997 - Remaster): Aria - Ah! non credea mirarti | Vincenzo Bellini, Tullio Serafin, Maria Callas | C Major | 1 | 8B | 81 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
La rosa y el sauce | Carlos Antonio Guastavino, Anna Netrebko | F♯ Minor | 1 | 11A | 81 BPM | ||
Nella fantasia (From "The Mission") | Jonas Kaufmann | B♭ Major | 3 | 6B | 90 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Gräfin Mariza - Operetta in 3 Acts: Komm mit nach Varasdin | Emmerich Kálmán, Herta Talmar, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | D Major | 4 | 10B | 81 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM |