On January 1, 1993, the song "Gräfin Mariza - Operetta in 3 Acts: Komm mit nach Varasdin" was released by Emmerich Kálmán, Herta Talmar, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek. The duration of Gräfin Mariza - Operetta in 3 Acts: Komm mit nach Varasdin is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Gräfin Mariza - Operetta in 3 Acts: Komm mit nach Varasdin's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emmerich Kálmán, Reinhold Bartel, Rita Bartos, Benno Kusche, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek's "Gräfin Mariza - Die Csárdásfürstin - Die Zirkusprinzessin" album is number 10 out of 32. Gräfin Mariza - Operetta in 3 Acts: Komm mit nach Varasdin is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gräfin Mariza - Operetta in 3 Acts: Komm mit nach Varasdin by Emmerich Kálmán, Herta Talmar, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Immer zieht es mich zu ihr (Let's go, let's go, let's go) | Bill Ramsey, Peter Alexander | D♭ Major | 9 | 3B | 132 BPM | ||
Ein Lied Geht Um die Welt | Joseph Schmidt | E♭ Major | 3 | 5B | 91 BPM | ||
Frau Luna: Glühwürmchen-Idyll | Paul Lincke, Franz Fehringer, Willy Hofmann, Willy Schneider, Herta Talmar, Brigitte Mira, Peter-René Körner, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | E♭ Major | 3 | 5B | 114 BPM | ||
Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Einmal nur - Es muß was Wunderbares sein (Josepha - Leopold) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | A♭ Major | 3 | 4B | 129 BPM | ||
Mattinata (Frühlingserwachen) | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
Als flotter Geist – Ja, das alles auf Ehr‘ - aus „Der Zigeunerbaron“ | Rudolf Schock | G Major | 4 | 9B | 83 BPM | ||
O mein Papa (Alternative Take) | Lys Assia | E Major | 3 | 12B | 174 BPM | ||
Sag beim Abschied leise Servus | Peter Alexander | E Major | 3 | 12B | 167 BPM | ||
Wein nicht um mich, Argentinien (Don’t Cry For Me Argentina) | Katja Ebstein | C Major | 2 | 8B | 111 BPM | ||
Wiener Blut (operetta): Einleitung - Wiener Blut | Johann Strauss II, Sandor Konya, Herta Talmar, Willy Hofmann, Chor, Kölner Rundfunkorchester, Franz Marszalek | C Major | 3 | 8B | 140 BPM |