Wiener Blut (operetta): Einleitung - Wiener Blut - Johann Strauss II, Sandor Konya, Herta Talmar, Willy Hofmann, Chor, Kölner Rundfunkorchester, Franz Marszalek 情報

音響性: 86%
ダンサビリティ: 28%
エネルギー: 30%
手段性: 0%
活気: 18%
ラウドネス: 77%
話し言葉: 4%
価数: 37%
人気: 6%
ラウドネス: -14.003 dB

まとめ

Johann Strauss II, Sandor Konya, Herta Talmar, Willy Hofmann, Chor, Kölner Rundfunkorchester, Franz Marszalek's 'Wiener Blut (operetta): Einleitung - Wiener Blut' came out on January 1, 1993. With Wiener Blut (operetta): Einleitung - Wiener Blut being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Wiener Blut - Maske in Blau - Die Dollarprinzessin by Rita Bartos, Herta Talmar, Sandor Konya, Antonia Fahberg, Peter Alexander, Ralf Paulsen, Chor, Grosses Operetten Orchester, Koelner Rundfunk Orchester, Franz Marszalek. The song's track number on the album is #1 out of 36 tracks. Based on our statistics, Wiener Blut (operetta): Einleitung - Wiener Blut's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wiener Blut (operetta): Einleitung - Wiener Blut テンポ

Since Wiener Blut (operetta): Einleitung - Wiener Blut by Johann Strauss II, Sandor Konya, Herta Talmar, Willy Hofmann, Chor, Kölner Rundfunkorchester, Franz Marszalek has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Wiener Blut (operetta): Einleitung - Wiener Blut being at 140 テンポ, the half-time would be 70 テンポ with a double-time of 280 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.

Wiener Blut (operetta): Einleitung - Wiener Blut キー

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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Track	Artist	Key	Energy	Camelot	BPM
Im süßen Traum, Op. 31 (Version for Orchestra)	Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec	D Major	4	10B	79 BPM
Vergiss mein nicht (Wenn du so zärtlich bist)	Ernesto de Curtis, Rudolf Schock, Fried Walter	B Minor	2	10A	70 BPM
Da geh' ich ins Maxim	Johannes Heesters	D Major	3	10B	145 BPM
Myrthen, Op. 25: No. 1. Widmung (arr. J. Strauss II): Widmung (arr. J. Strauss II)	Robert Schumann, Johann Strauss II, Slovak Radio Symphony Orchestra, Michael Dittrich	E Major	4	12B	153 BPM
Der goldene Pierrot: " Sei pünktlich und lass mich nicht warten "	Willy Schneider, Rita Bartos, Reinhold Bartel, Willy Hofmann, Herta Talmar	B♭ Major	6	6B	116 BPM
Blue Tango	Leroy Anderson, Cologne West German Radio Orchestra, Pinchas Steinberg	D Major	2	10B	130 BPM
Die Zirkusprinzessin - operetta in 3 Acts: Die kleinen Mäderln im Trikot	Emmerich Kálmán, Willy Hofmann, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek	F Major	3	7B	102 BPM
Schach dem König: "Jeder Anfang in der Liebe ist so schön"	Walter Wilhelm Goetze, Kölner Rundfunkorchester, Franz Marszalek, Franz Fehringer, Ruth Zillger	D Major	4	10B	79 BPM
Das muss ein Stück vom Himmel sein	Paul Hörbiger	F Major	4	7B	126 BPM
Die Blume von Hawaii: Bin nur ein Jonny	Paul Abraham, Willy Hofmann, Franz Fehringer, Chor, Grosses Operetten Orchester, Franz Marszalek	E♭ Major	3	5B	104 BPM

ISRC: This song does not have an ISRC.
レコードレーベル: L-M Records/RCA Records