"Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis" by Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis was released on January 1, 1986. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis's "Haydn: Nelson Mass" album is number 3 out of 11. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis by Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berliner Messe (Version for Choir & String Orchestra): II. Gloria [Live] | Arvo Pärt, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 1 | 7B | 144 BPM | ||
Mass No. 5 in E-Flat Major, Hob. XXII:4, "Missa in honorem BVM", "Missa Sancti Josephi", "Grosse Orgelsolomesse": Agnus Dei | Joseph Haydn, Ann Hoyt, Luthien Brackett, Stephen Sands, Richard Lippold, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 90 BPM | ||
Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | ||
Occasional Oratorio, HWV 62, Pt. 2: All His Mercies Shall Endure (Live) | George Frideric Handel, Bavarian Radio Chorus, Akademie für Alte Musik Berlin, Howard Arman | E♭ Minor | 0 | 2A | 92 BPM | ||
Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Tristan! - Isolde! Treuloser Holder!" - Live | Richard Wagner, Hildegard Behrens, Peter Hofmann, Yvonne Minton, Bernd Weikl, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Leonard Bernstein | F Major | 1 | 7B | 85 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: No. 4. Tantum ergo | Maurice Duruflé, Bavarian Radio Chorus, Peter Dijkstra | F♯ Major | 0 | 2B | 128 BPM | ||
Requiem: Requiem: 3. Aria (S). Tuba mirum | Johann Christian Bach, Lenneke Ruiten, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 82 BPM |