"4 Motets sur des themes gregoriens, Op. 10: No. 4. Tantum ergo" by Maurice Duruflé, Bavarian Radio Chorus, Peter Dijkstra was released on January 1, 2005. The duration of 4 Motets sur des themes gregoriens, Op. 10: No. 4. Tantum ergo is about 3 minutes long, at 3:06. Based on our data, "4 Motets sur des themes gregoriens, Op. 10: No. 4. Tantum ergo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 18 in Choral Concert: Bavarian Radio Chorus - Poulenc, F. / Durufle, M. / Leeuw, T. De / Messiaen, O. (Sacred Choral Music) by Peter Dijkstra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 4 Motets sur des themes gregoriens, Op. 10: No. 4. Tantum ergo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Motets sur des themes gregoriens, Op. 10: No. 4. Tantum ergo by Maurice Duruflé, Bavarian Radio Chorus, Peter Dijkstra is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Vespers, Op. 43 O Gentle Light o Holy Gliry | Mikhail Ippolitov-Ivanov, Chamber Choir, Lege Artis | B Major | 0 | 1B | 71 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Kyrie | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 65 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Rejoice in the Lord alway, verse anthem, Z.49 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
The Heavens' Flock | Ēriks Ešenvalds, Paulann Petersen, Portland State University Chamber Choir, Ethan Sperry | C Minor | 1 | 5A | 174 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM |