"Requiem: Requiem: 3. Aria (S). Tuba mirum" by Johann Christian Bach, Lenneke Ruiten, Akademie für Alte Musik Berlin, Hans-Christoph Rademann was released on October 25, 2011. The duration of Requiem: Requiem: 3. Aria (S). Tuba mirum is about 3 minutes long, at 3:18. Based on our data, "Requiem: Requiem: 3. Aria (S). Tuba mirum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann's "Johann Christian Bach: Requiem" album is number 4 out of 22. Requiem: Requiem: 3. Aria (S). Tuba mirum is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Requiem: Requiem: 3. Aria (S). Tuba mirum by Johann Christian Bach, Lenneke Ruiten, Akademie für Alte Musik Berlin, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in C Major, RV 184: III. Allegro | Antonio Vivaldi, Roberto Baraldi, Accademia I Filarmonici, Alberto Martini | C Major | 2 | 8B | 117 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Sonata Op. 5 No 6 in C minor: Allegretto | Johann Christian Bach, Virginia Black | B Minor | 2 | 10A | 122 BPM | ||
Symphonie concertante in F Major, W. C38: II. Tempo di minuetto | Johann Christian Bach, Lajos Lencsés, Emilia Csanky, Karoly Botvay, Budapest Strings | D Major | 3 | 10B | 88 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Der Fischer und das Milchmädchen: V. Corps de ballet | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Keyboard Concerto in G Minor, BWV 1058: III. Allegro assai | Johann Sebastian Bach, Gerald Hambitzer, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B♭ Major | 3 | 6B | 123 BPM | ||
Magnificat, W. E22: Fecit potentiam (Alto, Tenor, Bass, Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM |