"Norma (1997 Digital Remaster), ACT 1, Scene 1: Odi?... I suoi riti a compiere (Flavio/Coro/Pollione)" by Vincenzo Bellini, Piero de Palma, Franco Corelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. With Norma (1997 Digital Remaster), ACT 1, Scene 1: Odi?... I suoi riti a compiere (Flavio/Coro/Pollione) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. Based on our statistics, Norma (1997 Digital Remaster), ACT 1, Scene 1: Odi?... I suoi riti a compiere (Flavio/Coro/Pollione)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma (1997 Digital Remaster), ACT 1, Scene 1: Odi?... I suoi riti a compiere (Flavio/Coro/Pollione) by Vincenzo Bellini, Piero de Palma, Franco Corelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 2 | 11B | 87 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
O surdato 'nnammurato | Enrico Cannio, Franco Corelli, Franco Ferraris, Franco Ferraris Orchestra | F Major | 4 | 7B | 123 BPM | ||
Carmen (1997 - Remaster), Act I: Reste là, maintenant, pendant que je lirai | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 98 BPM | ||
Puccini: Turandot, Act 1: "Padre! Mio padre!" (Calaf, Guardie, Liù, La Folla, Timur) | Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 2 | 7B | 114 BPM | ||
L'elisir d'amore / Act 2: "Ai perigli della guerra...qua la mano giovinotto" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, English Chamber Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 87 BPM | ||
Adriana Lecouvreur: Act I: la Dolcissima Effige | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | G Major | 7 | 9B | 102 BPM | ||
Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte) | Luigi Cherubini, Renata Scotto, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 2 | 9B | 115 BPM | ||
L'elisir d'amore / Act 2: "Saria possibile?" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 125 BPM | ||
Tosca / Act II: Nel pozzo del giardino! Va, Spoletta! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 64 BPM |