"Folk Songs: I. Black is the Colour..." by Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma was released on July 13, 2005. The duration of Folk Songs: I. Black is the Colour... is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Folk Songs: I. Black is the Colour...'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma's "Luciano Berio: Folk Songs" album is number 1 out of 15. Folk Songs: I. Black is the Colour... is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Folk Songs: I. Black is the Colour... by Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Música callada, Book 1: No. 1, Angelico | Federico Mompou, Lilit Grigoryan | A Minor | 0 | 8A | 67 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM | ||
Rondeau: Paula | Jean Rondeau, Laurent Muller, Alice Bourlier, Maria Mosconi, Tanguy de Williencourt | F♯ Major | 0 | 2B | 120 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM |