"Rondeau: Paula" by Jean Rondeau, Laurent Muller, Alice Bourlier, Maria Mosconi, Tanguy de Williencourt was released on February 7, 2017. The duration of Rondeau: Paula is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Rondeau: Paula's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Paula". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rondeau: Paula's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rondeau: Paula by Jean Rondeau, Laurent Muller, Alice Bourlier, Maria Mosconi, Tanguy de Williencourt having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arpeggione Sonata in A Minor, D. 821: II. Adagio | Franz Schubert, Tanguy de Williencourt, Bruno Philippe | E Major | 0 | 12B | 60 BPM | ||
6 Soirées à Saint-Petersbourg, Op. 44 No. 3: Preghiera | Anton Rubinstein, Roberte Mamou | E♭ Major | 1 | 5B | 97 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Tanguy de Williencourt, Théotime Langlois de Swarte | D Major | 0 | 10B | 90 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
String Quartet No. 5 in F Minor, Op. 9, B. 37: II. Andante con moto quasi allegretto | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 132 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM |