"The Lark Ascending: I. Andante sostenuto" by Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor was released on October 7, 2022. The Lark Ascending: I. Andante sostenuto is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. This song is part of Vaughan Williams: The Lark Ascending by Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor. The song's track number on the album is #1 out of 4 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Lark Ascending: I. Andante sostenuto is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Lark Ascending: I. Andante sostenuto by Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Lark Ascending: I. Andante sostenuto being at 91 テンポ, the half-time would be 46 テンポ with a double-time of 182 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
24 Preludes, Op. 28: No. 15 in D Flat Major. Sostenuto "Raindrop" | Frédéric Chopin, Alice Sara Ott | D♭ Major | 0 | 3B | 131 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Prélude in B-Flat Major, Op. 11, No. 21 - Upright Version | Alexander Scriabin, Julius Asal | G Minor | 1 | 6A | 135 BPM | ||
Vocalise, Op 34, No. 14 | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | E Minor | 0 | 9A | 87 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Full Moon (Arr. Lewin for Guitar) | Ludovico Einaudi, Miloš Karadaglić | A♭ Major | 0 | 4B | 101 BPM |