Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling made "Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Gloria: Quoniam" available on July 15, 2014. Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Gloria: Quoniam is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Michael Haydn, Helmuth Rilling's "Haydn, M.: Missa Sancti Francisci / Requiem" album is number 4 out of 18. Based on our statistics, Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Gloria: Quoniam's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Gloria: Quoniam by Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todes Banden, BWV 4: Aria. Jesu Christus, Gottes Sohn (Tenor) | Johann Sebastian Bach, Koki Katano, Bach Collegium Japan, Masaaki Suzuki | F Minor | 2 | 4A | 95 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno | Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des Nations | A Minor | 1 | 8A | 108 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Die Ährenleserin, MH 493: III. 03 Duett Emilie - Krums "Ach lieber Mann / Nichts, ich will nicht ein Esel sein" | Michael Haydn, Salzburger Hofmusik, Wolfgang Brunner, Monika Mauch, Jakob Mitterrutzner | E Major | 1 | 12B | 126 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Requiem Mass, 1605: Lesson: Taedet anima mea | Tomás Luis de Victoria, Tenebrae, Nigel Short | B Minor | 1 | 10A | 133 BPM | ||
Gloria: Qui sedes ad dexteram Patris | Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 109 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM |
Section: 0.7839007377624512
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