"Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Butterfly, Pinkerton)" by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano was released on 1955. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Puccini: Madama Butterfly (1955 - Karajan) - Callas Remastered". In this album, this song's track order is #12. Based on our statistics, Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Butterfly, Pinkerton)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Butterfly, Pinkerton) by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 120 BPM | ||
Carmen (1997 - Remaster), Act III: Ecoute, écoute, compagnon, écoute | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: "Di sì felice innesto" (Figaro, Berta, Bartolo, Basilio, Rosina, Count Almaviva, Chorus) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, The Philharmonia Chorus, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 3 | 9B | 116 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus) | Gaetano Donizetti, Maria Callas, Raffaele Arie, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 4 | 10B | 141 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ehi, Fiorello? ... Mio signore ... (Conte/Fiorello/Coro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 112 BPM |
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