Henri Desmarets, Boston Early Music Festival Orchestra, Amanda Forsythe, Lucile Richardot, Robert Mealy's 'Circé, Act IV Scene 6: Ulisse n'est pas en ces lieux' came out on May 31, 2023. With Circé, Act IV Scene 6: Ulisse n'est pas en ces lieux being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 110 in Desmarest: Circé by Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Circé, Act IV Scene 6: Ulisse n'est pas en ces lieux's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Circé, Act IV Scene 6: Ulisse n'est pas en ces lieux by Henri Desmarets, Boston Early Music Festival Orchestra, Amanda Forsythe, Lucile Richardot, Robert Mealy is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Biber: Requiem a 15 in A Major: IV. Offertorium | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Stabat Mater in G Minor: III. Quis est homo | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 86 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: III. Laudamus te: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 183 BPM | ||
Languet anima mea BWV deest 1006: III. Recitativo: Amoris tui iaculo | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Magnificat, Wq.215: I. 01 Tutti »Magnificat anima mea Dominum« | Michael Alexander Willens, Kölner Akademie, Hanna Herfurtner, Elvira Bill, Georg Poplutz, Matthias Vieweg, Kolner Akademie Choir | F♯ Major | 1 | 2B | 172 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Armide, LWV 71, Prologue: D'une égale tendresse (La Gloire, La Sagesse) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost | C Major | 3 | 8B | 112 BPM |
Section: 0.8531355857849121
End: 0.8563451766967773