"3 Preludes and Fugues, Op. 16: No. 1. Prelude and Fugue in G Minor" by Clara Schumann, Jozef De Beenhouwer was released on January 1, 2001. The duration of 3 Preludes and Fugues, Op. 16: No. 1. Prelude and Fugue in G Minor is about 3 minutes long, at 3:28. Based on our data, "3 Preludes and Fugues, Op. 16: No. 1. Prelude and Fugue in G Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 57 in the song's album "Schumann, C.: Complete Piano Works". In this album, this song's track order is #1. 3 Preludes and Fugues, Op. 16: No. 1. Prelude and Fugue in G Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Preludes and Fugues, Op. 16: No. 1. Prelude and Fugue in G Minor by Clara Schumann, Jozef De Beenhouwer having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Piano Sonata No. 18 in D Major, K. 576 "Hunt": II. Adagio | Wolfgang Amadeus Mozart, Mao Fujita | F Minor | 0 | 4A | 110 BPM | ||
Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Junghwa Lee | G Minor | 0 | 6A | 70 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM |
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