"Ives : Piano Sonata No.2, 'Concord Mass., 1840-60' : IV Thoreau" by Charles Ives, Pierre-Laurent Aimard was released on March 1, 2004. Ives : Piano Sonata No.2, 'Concord Mass., 1840-60' : IV Thoreau appears to be safe for all ages as it is not explicit. The track order of this song in Charles Ives, Susan Graham & Pierre-Laurent Aimard's "Ives : Concord Sonata & Songs" album is number 21 out of 21. Ives : Piano Sonata No.2, 'Concord Mass., 1840-60' : IV Thoreau is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ives : Piano Sonata No.2, 'Concord Mass., 1840-60' : IV Thoreau by Charles Ives, Pierre-Laurent Aimard to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe | E♭ Major | 0 | 5B | 91 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante - Allegro | Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | C Major | 1 | 8B | 89 BPM | ||
Symphony No.2: 4. Lento maestoso | Charles Ives, New York Philharmonic, Leonard Bernstein | E Minor | 2 | 9A | 61 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Tabuh-Tabuhan: I. Ostinatos | Colin McPhee, Leonard Slatkin, BBC Symphony Orchestra, John Alley, Elizabeth Burley | D Minor | 2 | 7A | 108 BPM |
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