"Trois pièces: I. Moderato" by Nadia Boulanger, Janne Fredens, Søren Rastogi was released on January 19, 2024. The duration of Trois pièces: I. Moderato is about 3 minutes long, at 3:20. Based on our data, "Trois pièces: I. Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Upheaval". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Denmark. Trois pièces: I. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trois pièces: I. Moderato by Nadia Boulanger, Janne Fredens, Søren Rastogi having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces for Cello and Piano: I. Modéré | Nadia Boulanger, Yoshika Masuda, HyeJin Kim | D♭ Major | 2 | 3B | 143 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
The Lamb | John Tavener, 12 Ensemble | E Minor | 0 | 9A | 72 BPM | ||
16 Waltzes, Op. 39: No. 5 in E Major (Version for Piano Duo) | Johannes Brahms, Dinu Lipatti, Nadia Boulanger | E Major | 0 | 12B | 97 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
3 Pièces for Cello and Piano: No. 3, Vite et nerveusement rythmé (Arr. for Bassoon and Piano) | Nadia Boulanger, Theo Plath, Aris Alexander Blettenberg | D♭ Major | 2 | 3B | 149 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Nocturnes, Op. posth. in C Minor: Andante sostenuto | Frédéric Chopin, Brigitte Engerer | F Minor | 0 | 4A | 73 BPM |
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